LINH - A young Vietnamese woman in her 30s speaks fluent Vietnamese and Vietnamese Sign Language. Performed in English, Vietnamese and Sign Language, The World is Not Silent is a multilingual play that explores how language simultaneously divides and unites us.ĭAU - A Vietnamese man in his 70s speaks fluent Vietnamese and Vietnamese Sign Language.ĭON - Dau's son, a Vietnamese man in his 40s. But the closer he gets to being able to communicate with his father, the further he seems to get from actually understanding the man, leaving Don to realize that mastering a language means very little if you're not willing to speak from the heart.
Hoping that sign language will provide a bridge to overcome that distance, Don begins taking lessons. PLAY WORKSHOP: THE WORLD IS NOT SILENT, written by Don NguyenīLURB: Don, an Astro photographer, returns home to reconnect with his estranged Vietnamese father only to discover that the communication gap between them has grown even wider in the wake of his father's recent deafness. You may also vocalize scales using the provided accompaniment at. At the top of the video, slate your name & location.įOR PLAYS: Please prepare a brief one-to-two-minute contemporary monologue of your choice.įOR MUSICALS: Please prepare a brief one-to-two-minute contemporary monologue of your choice, along with a brief cut of a contemporary musical theatre song or a song that best features your vocal strengths using your own accompaniment. If you are using an iPhone to video record, be sure to film horizontally and in a well-lit space (not backlit). Candidates from populations underrepresented in the theatre field are encouraged to submit an audition. All qualified applicants shall be afforded equal employment opportunities without discrimination because of race, creed, color, national origin, sex, age, disability or marital status. NYSAF affirms our commitment to a policy of equal employment opportunity designed to promote a positive model of diversity and the elimination of discrimination in theatre. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.Įquity actors for roles in New York Stage and Film's 2022-23 Season (see breakdown). Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. In keeping with NYSAF’s continuing commitment to the safety and well-being of our workplace and community, all full-time, parttime, and seasonal employees, independent contractors, and all other program participants involved in NYSAF’s work, must be fully vaccinated and fully “up to date” on their COVID-19 vaccine series, as defined by the CDC.Įquity’s contracts prohibit discrimination. Producing Directors: Mark Linn-Baker, Max Mayer, Leslie UrdangĪssistant Artistic Producer: Alex Montoya What of Tigger, Eeyore and co? Have they also got a bloodlust? They're also sitting this one out, for copyright safety reasons.View All Jobs New York Stage and Film 2022-23 Season - Equity Video Submissions (Deadline: 06.02.22) CATEGORY: Performer In an effort to distance themselves from Disney's versions of Milne's characters, they've ditched the red shirt and pantless look, with Pooh donning a lumberjack suit, and Piglet wearing all black. “It’s scary but there’s also funny bits because there’s shots of Winnie the Pooh in a car and seeing him with his little ears behind the wheel and like slowly going over there ”
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Waterfield says they’ve tried to toe the line between horror and comedy, hopeful that the movie will be genuinely scary and at least a little bit funny, too. They’re no longer tame: they’re like a vicious bear and pig who want to go around and try and find prey.” So they’ve gone back to their animal roots. “Because they’ve had to fend for themselves so much, they’ve essentially become feral. “Christopher Robin is pulled away from them, and he’s not them food, it’s made Pooh and Piglet’s life quite difficult,” Waterfield told Variety. The film sees Winnie and Piglet head off on a murderous rampage after Christopher Robin abandons them for pastures new (he’s hardly going to bring his weird stuffed toys to uni, is he?).